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±¾½Ì³ÌÊÇÓÉTuts+Premium»ú¹¹³öÆ·µÄTuts+ Premium Cinematic Effects in After Effects ½Ì³Ì£¬AEÓ°ÊÓ¼¶ÌØЧÖÆ×÷½Ì³Ì£¬Ê±³¤£º3Сʱ£¬´óС£º2.36 GB£¬¸ñʽ£ºMP4¸ßÇåÊÓƵ¸ñʽ£¬×÷ÕߣºChristopher Kenworthy£¬¹Ù·½·¢²¼ÈÕÆÚ£º2013Äê7ÔÂ13ÈÕ£¬ÓïÑÔ£ºÓ¢Óï¡£

½Ì³ÌËùʹÓõÄÈí¼þ£ºAfter Effects

Sometimes the movie making magic doesn¡¯t happen on the set, but in the editing room. In this course, we learn how to make some of that magic happen using Adobe After Effects.4 X: q# y4 H* W, \
Welcome 3m 38s
6 Z' Z0 n& k6 b1 s' a- QIntroduction To Cinematic Effects 3m 38s

Creating Depth 45m 58s; C3 m# t7 u/ q6 ], \& b/ a) d
Depth Blurring 10m' w% }- d) z1 t  u; s; c6 r
Adding Foreground Objects 14m 54s' X& |/ q4 e# T" T% ^" n
Modifying Masks 8m 58s
5 X% K) g; w2 i+ X. i- L. ZPulling Focus 12m 6s

Creating Texture 23m 12s
& v, {0 l9 V9 [6 k* X* o1 XAdd Light To Walls 7m 18s
. V. j; t) Y. D" U$ KCreate Animated Wall Shadows 6m 32s
( |  [; w7 t3 ~Adding Lens Artifacts 9m 22s

Correcting Errors 14m 40s
$ g. F- f4 X+ \( f! {" r2 |, [4 `Removing Unwanted Parts of The Frame 7m 40s* h7 X3 B* I# Y; e
Removing Unwanted Colors 7m

Digital Cinematography 42m 46s9 C) d1 s! ^# k
Increasing Separation 10m 16s
( r# F8 v' w) i# f' r2 NRelighting A Scene 6m 48s
' x& [) _9 j& m3 fAdvanced Scene Relighting 9m 22s
" b( T& s4 s: vReframing A Shot 7m 22s
) B6 ~& f. G/ cAdvanced Reframing 8m 58s

Cinematic Close-Ups 21m 20s
. \4 b, f4 @; ~4 @Relighting A Face 6m 24s
4 i4 P: T  q4 Z" O; k6 ADigital Makeup 6m 32s
- Q1 t( u- }" I% PAdding Eyelights 8m 24s

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